Brazilian Jiu Jitsu
spread out of Brazil riding on the principles of innovation, practicality, and effectiveness. In
a sense, it started a martial arts enlightenment where the basic assumptions of
martial arts were reconsidered and forced to either adapt or be abandoned.
Techniques began being measured by their practicality in a real fight, and how
effective a weaker man/woman could use them to subdue an
attacker. Originally, Brazilian Jiu Jitsu developed as a way to defend
oneself in live combat. As the sport
grew some practitioners began developing techniques to best other BJJ fighters
in a pure grappling match rather than in a no-holds-barred setting. This
resulted in a move away from a combat based jiu jitsu style to a more sport
based style. Recently, practitioners of Sport Jiu Jitsu and Combat Jiu Jitsu
have started a bit of controversy regarding the usefulness or merit of each
style. Enter Renzo Gracie, a legend in both the combat world and the sport
world, and according to him, “To try to separate Sport Jiu Jitsu from [Combat]
Jiu Jitsu is a sin… Like comparing the beauty of two women... Both are
beautiful in different ways." He’s right, both styles have their own
unique beauty, and Sport Jiu Jitsu's beauty lies in its innovative,
practical, and effective nature within the realm of a grappling match. It
is not my intention to convince the reader Sport JJ is in any way superior to Combat
JJ. Instead I simply want to explain the benefits of Sport JJ, and address some
of the criticisms surrounding the style.
It’s difficult to
define Sport Jiu Jitsu as there is no uniform set of rules that everyone abides
to. The International Brazilian Jiu Jitsu Federation (IBJJF) is the closest
thing to a governing body that exists in BJJ, but it’s complete shit (more on
that later). Generally speaking, Sport JJ is a grappling style that emphasizes
submissions through joint locks and chokes. The rules vary from tournament to
tournament, but this holds true for every jiu jitsu competition held around the
world. And though there are no punches allowed, the positions generally
emphasized are based on the positions developed for self-defense. Positions
that are advantageous in a real fight like the mount or the back are awarded
with points.
Combat JJ advocates
may argue that emphasis on these positions and points are arbitrary, and in all
honesty they are right. In a real fight it doesn’t matter if you got your guard
passed 17 times as long as you defend and in the end are able to get a finish
via submission or knockout. However, since Sport JJ is not a real fight, and it
is merely a test of one’s grappling skills against another’s, the points are
there to find who was able to impose their will more thoroughly on his/her
opponent.
Ideally, these points
are only there to help decide the victor should the match end without a
submission, but some critics say Sport JJ competitors rely too much on the
point system. It’s hard to argue against that sentiment when one watches the
stall-fests that go down at the Mundials and other big tournaments. However, it’s
not fair to generalize against all Sport JJ competitors. Some guys/gals do go
out there and work tirelessly for a submission. Unfortunately, the downside of
being active is that it opens up opportunities for the opponent to score. This
wouldn’t be a problem if both competitors are willing to be active, but the
reality is that many competitors decide to stall after getting their points.
Opponents of Sport JJ
see these inactive styles of grappling as a result of the point system and time
limits. However, recently “submission only” competitions have sprung up like The Gracie Nationals, Metamoris, and The
Eddie Bravo Invitational. The Abu Dhabi Combat Club (ADCC) does not keep score until the second half of the match; thereby encouraging competitors
to open up and attack without the fear of giving up points (at least for the
first 5 minutes). These organizations look to encourage offense and action from
competitors. One could also argue that points are just a necessary evil as
sometimes it’s hard to finish guys regardless of one’s aggression; especially
in a context with time limits.
However, the beauty
of Sport JJ goes beyond what can be done in the competition world, its true
beauty lies in the creativity of its practitioners. Without the fear of
strikes, a Sport Jiu Jitsu competitor frees him/herself up to open more angles
and leverage points to sweep, attack, and submit opponents. Thus, Sport JJ by
nature is far more innovative, creative, and improvisational than Combat JJ.
This is not to say that Combat JJ practitioners can’t be innovative or creative
(they don’t call Javier Vazquez “Showtime” for nothing), but it is true that
there are more positions to explore in a grappling match when one doesn’t have
to worry about being punched in the mouth.
Whether or not some
of the techniques work in real life is irrelevant, they work in a sport setting
and that’s all that matters. Tae Kwon Do may not be the most effective martial
art in the streets, but it’s better than nothing, and if a TKD practitioner enjoys
his/her training, so be it. The same goes for Sport Jiu Jitsu, a practitioner
may not be the most effective ground fighter, but they’ll be a lot more
prepared for a scrap than the average dickhead looking for a fight.
Furthermore, if MMA
has taught us anything it’s that nobody knows what works and what doesn’t. Anderson
Silva likes to say, “I’m not the best. I just do things that people think are
impossible.” It was impossible to beat a deadly Kung Fu fighter with a mullet
until Royce Gracie came along, then it was impossible to beat a powerful
wrestler until Pete Williams kicked Mark Coleman’s teeth in, then it was
impossible for Karate to work in a fight until Lyoto Machida made Rashad Evans
do the “stanky-leg.” Over and over again we find ourselves redefining what is
practical for a fight and what isn’t. Whether it’s jumping off the cage to land
a head kick or hitting a gogoplata, it seems like a lot of thing are impossible
until someone does it.
Sport Jiu Jitsu may not
be structured by what will work in a real fight, but the ingenuity of its
practitioners should be embraced by the community as a whole. Can some of those
techniques developed in a pure grappling setting be adjusted for a live fight?
If we can see the “crane” technique from “The Karate Kid” work in the octagon, then
anything is possible.
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